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Read next | Ryan Murphy Heads Back to the Ballroom for Season 2 of “Pose”Īuthor Jonathon Weinberg is a noted art historian who teaches at the Yale School of Art and the Rhode Island School of Design. Likewise, Art After Stonewall catalogues a show that took place at the Columbus Museum of Art celebrating the first 20 years of emerging freedoms and challenges faced by the then-newly visible queer community. And a show celebrating Jean-Michel Basquiat was recently mounted at The Brant Foundation in New York. Mapplethorpe, starring Matthew Smith recently brought the life of the famed gay photographer to theaters. That in turn allowed more visibility for gay artists to come forward, celebrate queer culture and bring awareness to the AIDS crisis of the 1980s.Īrt After Stonewall comes amidst a wave of interest in appreciating artists embraced by the queer community. The early Gay Liberation Movement eventually led to changes in how gay lives are regarded – both socially and professionally. “Art After Stonewall” cover courtesy Rizzoli Electa Auden and many other decidedly queer luminaries of the day.
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Plus, Kirstein kept close friendships with the likes of Gertrude Stein, Cecil Beaton, W. Although he married the sister of artist Paul Cadmus in 1941 and would not talk about his sexuality publicly until the 1980s, Kirstein’s bisexuality was an open secret in the art world.įittingly, he championed the work of the Depression Era photographer Walker Evans (now largely acknowledged as a queer artist). This turned out to be very good luck for queer art lovers.
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Dance, after all, is figurative art, and abstraction, the breaking free from the figurative, was all the rage.ĭespite any latent antagonism toward his ideas, Kirstein was welcomed by the museum and went on to became an important arbiter of taste - particularly during the years before and after the first World War. “I am practically sure that the works I would like to present would either irritate or downright antagonize a number of influential people in the Museum,” he wrote. He was fairly certain his proposal - to create a Department of Theatrical Arts and Techniques at the Museum would not be welcomed by the dedicated modernists helming the board at that time. Kirstein parlayed his concurrent love of visual art and dance into a petition to the president of the Museum of Modern Art in September of 1937. Lincoln Kirstein (1907–1996) was a founder of the New York City Ballet, along with the great George Balanchine. It remains there to be seen on canvases and in sculptures, but also blossomed in the world of dance and other performing arts. The early 20th Century saw new expression across all genres. “New Chicago Athletic Club” by Antonio Berni from “Lincoln Kirstein’s Modern” courtesy MoMA © 2018 Fundación Antonio Berni and Luis Emilio De Rosa, Argentina Lincoln Kirstein’s Modernīy Lincoln Kirstein et al Distributed Art Publishers $55 It’s also worth remembering that these images were created just six years after the Stonewall Uprising and the earliest stirrings of the Gay Liberation Movement. Even without the thread of memoir running through the book, Bianchi uses his photos to capture all the carefree exuberance of the men and models who experienced that golden moment - that also came with its own set of challenges. It’s inspiring, even though we know it would followed by the dark days of the early AIDS crisis.
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Turning the pages, we see a decadent time full of hope and sex, liberation and love. The thoughts, ‘I want to shoot you / I want to shoot with you,’ were welded.” I never sought out ‘models.’ But my image was in sync with the Greeks.
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A walk to the market could lead to a quick trick or an intense affair. Legions of gay men in New York ran on full tanks of testosterone. According to the artist, “The ‘70s were pre–AIDS days, and we took advantage of the sexual freedom of the time.